Davóne TinesBaritone Ruckus
About This Performance
Ruckus has been called “the world’s only period-instrument rock band” (SF Classical Voice) for its high-energy fusion of the early-music movement’s questing, creative spirit with the grit, groove, and jangle of American roots music. Joined by versatile baritone Davóne Tines, they explore songs from baroque to contemporary. According to The New Yorker, “Davóne Tines is changing what it means to be a classical singer” in all the best ways. His artistry creates bright new intersections of history, genres, and styles, telling deeply personal, universally relevant stories of human connection.
Program
WHAT IS YOUR HAND IN THIS?
STEPHEN FOSTER: Beautiful Dreamer
HANDEL: Musette from Concerto in G Minor, Op. 6; March; Why Do the Nations So Furiously Rage from Messiah
DOUGLAS ADAM AUGUST BALLIETT: The Despised One,The Four F’s, Holy Word, Nunc Dimiitis, and Overture from Compassion Preludes; Federal Nations
TRADITIONAL (arr. Davóne Tines): Be the Lover of My Soul
JOSHUA McCARTER SIMPSON: A Note to the Public; To the White People of America
JOHN DICKINSON (arr. Balliett): The Liberty Song
BENJAMIN CARR: The Federal Overture
JULIUS EASTMAN: Buddha
CLYDE OTIS (arr. Tines and Balliett): This Bitter Earth
GEORGE W. CLARK: The House I Live In
DAVÓNE TINES (arr. Balliett): What Is My Hand In This?
WILLIAM BILLINGS: Chester
SAM COOKE (arr. Balliett): A Change Is Gonna Come
Performance Sponsors
Martin and Kathleen Cohn
Artist Information
Performer Biographies
Davóne Tines, heralded as an artist "changing what it means to be a classical singer (The New Yorker) and “[one] of the most powerful voices of our time” (Los Angeles Times), is a pathbreaking artist whose work encompasses a diverse repertoire, ranging from early music to new commissions by leading composers, while exploring the social issues of today. A creator, curator, and performer at the intersection of many histories, cultures, and aesthetics, he is engaged in work that blends opera, art song, spirituals, contemporary classical, gospel, and protest songs as a means to tell a deeply personal story of perseverance connecting to all of humanity.
Ruckus is a shapeshifting, collaborative baroque ensemble with a visceral and playful approach to early music. Described as “the world’s only period-instrument rock band” (San Francisco Classical Voice), Ruckus’ core is a continuo group, the baroque equivalent of a jazz rhythm section: guitars, keyboards, cello, bassoon and bass. The NYC-based ensemble aims to fuse the early-music movement’s questing, creative spirit with the grit, groove and jangle of American roots music, creating a unique sound of “rough-edged intensity” (New Yorker) that’s “achingly delicate one moment, incisive and punchy the next” (New York Times). The group’s members are among the most creative and virtuosic performers in North American early music.