Resident Artists Program

In small, hands-on programs, our resident artists—bass-baritone Dashon Burton, jazz pianist Alfredo Rodriguez, guitarist Jason Vieaux, music historian Robert Greenberg and the Alexander String Quartet—work directly with students and teachers in public schools around the Bay Area. Our artists-in-residence program provides arts education in schools and community centers, builds new audiences, and furthers the careers of talented artists by providing the time and freedom necessary to explore new ideas and develop new works. The scope of SF Performances’ work in the community reflects the commitment to making the arts an essential part of everyone’s life—a central part of SF Performances’ mission since our founding.

History

In 1989, San Francisco Performances created its first (and ongoing) artist residency program with the Alexander String Quartet. Working in partnership with San Francisco State University, the Quartet created a chamber music curriculum entitled “The Story of the String Quartet” for high school students in the San Francisco Unified School District. In 1997, with the support of the Wallace Readers Digest Foundation, San Francisco Performances expanded the residency model and created three new residencies in jazz, guitar and contemporary dance. These residencies, which continued over a four-year period, helped expand audiences for the organization and helped to develop strong collaborations with new community partners.

Resident artists’ consistent presence in the Bay Area over several years gives both school students and adult audiences the opportunity to form a close bond with the artists. By making the performing arts accessible across economic and generational boundaries, San Francisco Performances helps all community members build a deep personal connection to the performing arts.

Current Resident Artists

Dashon Burton

Dashon BurtonBass-Baritone

Praised for his “nobility and rich tone,” (The New York Times) and his “enormous, thrilling voice seemingly capable…[of] raising the dead” (Wall Street Journal), bass-baritone Dashon Burton has performed with orchestra and opera companies all over the world, in addition to touring with the Grammy-winning contemporary vocal ensemble Roomful of Teeth. In 2012 Dashon brought home prizes from the ARD International Music Competition in Munich and the 49th International Vocal Competition in ‘s-Hertogenbosch, Netherlands. These awards followed his First Place wins in both the 2012 Oratorio Society of New York’s Competition and the Bach Choir of Bethlehem’s Competition for Young American Singers. He graduated from the Oberlin College Conservatory of Music, and received his Master of Music degree from Yale University’s Institute of Sacred Music.

Alfredo Rodriguez

Alfredo RodriguezJazz Piano

Pianist Alfredo Rodriguez studied classical piano at the Manuel Saumell Conservatory, then at the Amadeo Roldán Music Conservatory as well as the Instituto Superior de Arte, all in Havana. His interest in jazz was stimulated by the annual ”JoJazz” competition for young jazz musicians. In 2006, Rodríguez was selected as one of twelve pianists from around the world to perform at the Montreux Jazz Festival. Music Producer Quincy Jones noticed him at the Jazz Festival and offered to work with him. In 2009, Rodríguez accompanied his father as a band member on a concert trip to Mexico, when he decided not to return to Cuba but to leave his country and family and request political asylum at the US border crossing of Nuevo Laredo. With the support of Jones he began his pursuit of a career in music in the United States.

Rodríguez has performed at major festivals around the world, including the Playboy Jazz Festival, SXSW Music Festival, Gilmore International Keyboard Festival, Umbria Jazz Festival (Italy), Montreux Jazz Festival (Switzerland), and Shanghai International Film Festival (China). Alfredo has shared stages with jazz artists such as Wayne Shorter, Herbie Hancock, Patti Austin, James Ingram, McCoy Tyner, and Esperanza Spalding.

In 2015, Rodríguez received his first Grammy nomination for best arrangement, instrumental for Guantanamera.

Jason Vieaux

Jason VieauxGuitar

Grammy-winner Jason Vieaux, “among the elite of today’s classical guitarists” (Gramophone), is the guitarist that goes beyond the classical. Among his extensive discography is the 2015 Grammy Award winning album for Best Classical Instrumental Solo, Play.

Vieaux has soloed with over 100 orchestras and has fostered premieres by Jonathan Leshnoff, Avner Dorman, Jeff Beal, Dan Visconti, David Ludwig, Vivian Fung, and José Luis Merlin. Performance highlights include the Caramoor Festival as Artist-in-Residence, Chamber Music Society of Lincoln Center, Philadelphia Chamber Music Society, Buenos Aires’ Teatro Colon, Amsterdam’s Concertgebouw, New York's 92Y, and Ravinia Festival. Frequent chamber music collaborators include Escher Quartet, harpist Yolanda Kondonassis, and accordion/bandoneon virtuoso Julien Labro.

In 2012, the Jason Vieaux School of Classical Guitar was launched with ArtistWorks Inc., an interface that provides one-on-one online study with Vieaux for guitar students around the world. Vieaux has taught at the Cleveland Institute of Music since 1997, heading the guitar department since 2001. He has received a Naumburg Foundation top prize, a Cleveland Institute of Music Distinguished Alumni Award, GFA International Guitar Competition First Prize, and a Salon di Virtuosi Career Grant. Vieaux was the first classical musician to be featured on NPR’s Tiny Desk series.

Alexander String Quartet

Alexander String Quartet

The Alexander String Quartet (Zakarias Grafilo and Fred Lifsitz,violins; Paul Yarbrough, viola; Sandy Wilson, cello), in joint residence with San Francisco Performances and San Francisco State since 1989, helped create the popular school series, The Story of the String Quartet. The curriculum was written by San Francisco Performances for non-music students. Rather than experience an isolated one-time performance, these students are introduced over time to music as a powerful voice for cultural expression.

The Alexander String Quartet has performed in the major music capitals of five continents, securing its standing among the world’s premier ensembles, and a major artistic presence in its home base of San Francisco. Widely admired for its interpretations of Beethoven, Mozart, and Shostakovich, the quartet’s recordings have won international critical acclaim. They have established themselves as important advocates of new music, commissioning works from composers including Jake Heggie, Cindy Cox, Augusta Read Thomas, Robert Greenberg, Tarik O’Regan, Wayne Peterson, and most recently, Samuel Carl Adams.

The Alexander String Quartet’s annual calendar includes engagements at major halls throughout North America and Europe, appearing at Lincoln Center, the 92nd Street Y, Jordan Hall, and the Library of Congress. Their recent return to Poland’s Beethoven Easter Festival is captured in the 2017 award-winning documentary, Con Moto: The Alexander String Quartet.

The Alexander String Quartet formed in New York City in 1981, and captured international attention as the first American quartet to win the London International String Quartet Competition in 1985. The quartet has received honorary degrees from Allegheny College and Saint Lawrence University, and Presidential medals from Baruch College (CUNY).

Robert Greenberg

Robert Greenberg

Dr. Robert Greenberg was born in Brooklyn, New York, in 1954 and has lived in the San Francisco Bay Area since 1978. He received a B.A. in Music, magna cum laude, from Princeton University in 1976 and a Ph.D. in music composition, With Distinction, from the University of California, Berkeley in 1984.

Greenberg has composed over fifty works for a wide variety of instrumental and vocal ensembles. Recent performances of his works have taken place in New York, San Francisco, Chicago, England, Greece, Italy and The Netherlands, where his Child’s Play for String Quartet was performed at the Concertgebouw of Amsterdam.

Greenberg has lectured for some of the most prestigious musical and arts organizations in the United States, including the San Francisco Symphony; he is also a sought-after lecturer for businesses and business schools, speaking at such diverse organizations as S. C. Johnson, Deutsche Bank, the University of California/Haas School of Business Executive Seminar and the Commonwealth Club of San Francisco. For 15 years, Greenberg was the resident composer and music historian for NPR’s Weekend All Things Considered and Weekend Edition, Sunday with Liane Hansen.

In February 2003, Maine’s Bangor Daily News referred to Robert Greenberg as “the Elvis of music history and appreciation,” an appraisal that has given him more pleasure than any other.