Performer Biographies

Caroline Shaw is a musician who moves among roles, genres, and mediums, trying to imagine a world of sound that has never been heard before but has always existed. She works often in collaboration with others as producer, composer, violinist, and vocalist. Caroline is the recipient of the 2013 Pulitzer Prize in Music, several Grammy^® awards, an honorary doctorate from Yale, and a Thomas J. Watson Fellowship. This year’s projects include the score to Fleishman is in Trouble (FX/Hulu), vocal work with Rosalía (MOTOMAMI), the score to Josephine Decker’s The Sky Is Everywhere (A24/Apple), music for National Theatre’s production of The Crucible (dir. Lyndsey Turner), Justin Peck’s Partita with NY City Ballet, a new stage work LIFE (Gandini Juggling/Merce Cunningham Trust), the premiere of Microfictions Vol. 3 for NY Philharmonic and Roomful of Teeth, a live orchestral score for Wu Tsang’s silent film Moby Dick co-composed with Andrew Yee, two albums on Nonesuch (Evergreen and The Blue Hour), the score for Helen Simoneau’s dance work Delicate Power, tours of Graveyards & Gardens (co-created immersive theatrical work with Vanessa Goodman), and tours with So Percussion featuring songs from Let The Soil Play Its Simple Part (Nonesuch), amid occasional chamber music appearances as violist (Chamber Music Society of Minnesota, La Jolla Music Society). Caroline has written over 100 works in the last decade for Anne Sofie von Otter, Davóne Tines, Yo Yo Ma, Renée Fleming, Dawn Upshaw, LA Phil, Philharmonia Baroque, Seattle Symphony, Cincinnati Symphony, Aizuri Quartet, The Crossing, Dover Quartet, Calidore Quartet, Brooklyn Rider, Miro Quartet, I Giardini, Ars Nova Copenhagen, Ariadne Greif, Brooklyn Youth Chorus, Britt Festival, and the Vail Dance Festival. She has contributed production to albums by Rosalía, Woodkid, and Nas. Her work as vocalist or composer has appeared in several films, TV series, and podcasts including The Humans, Bombshell, Yellowjackets, Maid, Dark, Beyonce’s Homecoming, Tár, Dolly Parton’s America, and More Perfect. Her favorite color is yellow, and her favorite smell is rosemary.

Gabriel Kahane is a musician and storyteller whose work increasingly exists at the intersection of art and social practice. Hailed as “one of the finest songwriters of the day” by The New Yorker, he is known to haunt basement rock clubs and august concert halls alike, where you’ll likely find him in the green room, double-fisting coffee, and a book.

He has released five albums as a singer-songwriter including his most recent LP, Magnificent Bird (Nonesuch Records), which received widespread critical acclaim. As a composer, he has been commissioned by many of America’s leading arts institutions, including the Brooklyn Academy of Music, Carnegie Hall, the Los Angeles Philharmonic, Orpheus Chamber Orchestra, and the Public Theater, which in 2012 presented his musical February House.

In 2019, Kahane was named the inaugural Creative Chair for the Oregon Symphony, following the premiere in Portland of his oratorio emergency shelter intake form, a work that explores inequality in America through the lens of housing issues. The piece was released as an album in March of 2020, and is scheduled for performance by half a dozen other American orchestras in the coming years.

In his 2023–24 season, Kahane embarked on a new collaborative commissioning project with the Attacca Quartet, Pekka Kuusisto, and Roomful of Teeth as part of a two-year initiative with San Francisco Performances, with additional performances scheduled around the U.S. and Europe. Season highlights include the European premiere of emergency shelter intake form in London with the BBC Concert Orchestra, duo recitals with Jeffrey Kahane, a conducting appearance with the St. Paul Chamber Orchestra, and the New York premiere of his piano concerto Heirloom by Jeffrey Kahane and The Knights. Venues include UCLA’s Nimoy Theater, Seattle’s Meany Center, and New York’s 92NY.

Kahane’s discography also includes the highly praised Book of Travelers, The Ambassador, which received an acclaimed staging at BAM, directed by Tony and Olivier Award-winner John Tiffany; an album of chamber music, The Fiction Issue, with the string quartet Brooklyn Rider and vocalist/composer Shara Nova; a recording with The Knights of his orchestral song cycle Crane Palimpsest; as well as the original cast album for February House.

A frequent collaborator across a range of musical communities, Gabriel has worked with an array of artists including Paul Simon, Sufjan Stevens, Andrew Bird, Phoebe Bridgers, Caroline Shaw, and Chris Thile. After nearly two decades in Brooklyn, Kahane relocated with his family to Portland, Oregon, in March of 2020. Their freakishly self-possessed cat, Roscoe Greebletron Jones III, when not under investigation for securities fraud, continues his fruitless attempts to monetize his Instagram account.