Alexander String Quartet
Robert GreenbergHost • Lecturer
Saturday, November 11, 2023 | 10:00am
Herbst TheatreVenue Information
About This Performance
The esteemed and popular Alexander String Quartet has enlivened SF Performances seasons for more than three decades, joined by Music Historian-in-Residence Robert Greenberg. Together they explore in music and words some of chamber music’s most intriguing and important composers, their works, lives, and times. Looking back to the early years of the last century, the Quartet and Greenberg will explore the rich history of bright innovation and creation during often dark times.
Music as a Mirror of Our World:
The String Quartet from 1905 to 1946
Program 2: Russia
STRAVINSKY: Three Pieces for String Quartet (1914/1918); Concertino for String Quartet (1920)
PROKOFIEV: String Quartet No. 1 in B Minor, Op. 50 (1931)
The Alexander String Quartet stands among the world's premier ensembles, having performed in the major music capitals of five continents. The quartet is a vital artistic presence in its home base of San Francisco, serving since 1989 as Ensemble-in-Residence of San Francisco Performances. Widely admired for its interpretations of Beethoven, Mozart, and Shostakovich, the quartet's recordings have won international critical acclaim. Founded in New York City in 1981, the ensemble quickly captured attention, initially winning the Concert Artists Guild Competition in 1982, and then becoming the first American quartet to win the London (now Wigmore) International String Quartet Competition in 1985. The members of the Alexander String Quartet are recipients of honorary degrees from Allegheny College and St. Lawrence University, and Presidential medals from Baruch College (CUNY).
Since its inception, the Alexander String Quartet has maintained an unyielding and passionate commitment to education. For decades, the ensemble has trained generations of gifted performers, emerging string quartets, and talented young musicians destined to pass on their knowledge and love of music as teachers in schools across the globe. The 2023–24 season marks the beginning of a new initiative that brings together the quartet's expertise in education and devotion to its community. Partnering with schools, arts organizations, and community institutions in the Bay Area and beyond, the Alexander String Quartet will be hosting a series of innovative workshops, performances and collaborations that are designed to support and bolster chamber music awareness and education for individuals from all walks of life.
The Alexander String Quartet has performed at Lincoln Center, the 92nd Street Y, the Metropolitan Museum, Jordan Hall, the Library of Congress, and appeared as guests at universities including Yale, Princeton, Stanford, Lewis & Clark, UCLA, and many more. Numerous overseas tours include the U.K., the Czech Republic, the Netherlands, Italy, Germany, Spain, Portugal, Switzerland, France, Greece, the Republic of Georgia, Argentina, Panamá, and the Philippines. Their visit to Poland's Beethoven Easter Festival is beautifully captured in the 2017 award-winning documentary, Moto: The Alexander String Quartet.
Joyce Yang, Marc-André Hamelin, Richard Stoltzman, Joyce DiDonato, Midori, Lynn Harrell, Branford Marsalis, David Sánchez, Jake Heggie, Augusta Read Thomas, Tarik O'Regan, Wayne Peterson, and Samuel Carl Adams are only a few of the many distinguished instrumentalists, singers, and composers with whom the Alexander String Quartet has collaborated in performance and recording projects crossing genres from classical to jazz, rock, and folk in its more than four decades of music making. Their most recent collaborative project, “British Invasion,” brings the Quartet together with guitarist William Kanengiser to explore the music of Sting, Led Zeppelin, John Dowland, and the Beatles by way of contemporary composers Ian Krouse, Dušan Bogdanović, and Leo Brouwer. The quartet continues to enjoy a long-standing collaboration with the richly entertaining composer-lecturer, Robert Greenberg, with whom it presents series of concerts every season with San Francisco Performances and at the Mondavi Center at the University of California in Davis. These concerts provide a deep dive into the history and essence of the works being presented in addition to a full performance of each piece.
Recording for the Foghorn Classics label, the Alexander String Quartet's extensive recording catalogue includes complete string quartet cycles by Bartók, Beethoven, Brahms, Kodály, and Shostakovich. Their most recent release is the third installment of a Mozart chamber music project, Apotheosis Volume 3, featuring the string quintets of Mozart with violist Paul Yarbrough. Apotheosis Volumes 1 & 2, released in 2018 and 2019, featured the late string quartets and piano quartets (with Joyce Yang) of Mozart. Both recordings received critical acclaim (“These are by far, hands down and feet up, the most amazing performances of Mozart's two piano quartets that have ever graced these ears.” —Fanfare). Other major recordings include the 2020 release of the Mozart and Brahms clarinet quintets (with Eli Eban) and the 2019 release, Locale, featuring Dvořák's “American” quartet and piano quintet (with Joyce Yang). Their recording catalogue also includes the Mahler Song Cycles in transcriptions for mezzo-soprano (with Kindra Scharich) and string quartet by the Quartet's first violinist, Zakarias Grafilo.
The Alexander String Quartet performs on Michael Fischer and unlabeled circa 1800 Italian violins, a Hiroshi Iizuka viola, and a Francis M. Kuttner cello. They have also had the distinct honor on numerous occasions to record and perform on a matched set of instruments known as the Ellen M. Egger Quartet, made in San Francisco by the late Francis M. Kuttner.
Robert Greenberg was born in Brooklyn, New York in 1954, and has lived in the San Francisco Bay Area since 1978. Greenberg received a BA in music, magna cum laude, from Princeton University in 1976. His principal teachers at Princeton were Edward Cone, Daniel Werts, and Carlton Gamer in composition, Claudio Spies and Paul Lansky in analysis, and Jerry Kuderna in piano. In 1984, Greenberg received a Ph.D. in music composition, With Distinction, from the University of California, Berkeley, where his principal teachers were Andrew Imbrie and Olly Wilson in composition and Richard Felciano in analysis.
Greenberg has composed over fifty works for a wide variety of instrumental and vocal ensembles. Recent performances of his works have taken place in New York, San Francisco, Chicago, Los Angeles, England, Ireland, Greece, Italy and The Netherlands, where his Child’s Play for String Quartet was performed at the Concertgebouw of Amsterdam.
Greenberg has received numerous honors, including being designated an official “Steinway Artist,” three Nicola de Lorenzo Composition Prizes and three Meet-The-Composer Grants. Notable commissions have been received from the Koussevitzky Foundation in the Library of Congress, the Alexander String Quartet, the San Francisco Contemporary Music Players, San Francisco Performances, and the XTET ensemble. Greenberg is a board member and an artistic director of COMPOSERS, INC., a composers’ collective/production organization based in San Francisco. His music has been published by Fallen Leaf Press and CPP/Belwin, and recorded on the Innova label.
Greenberg has performed, taught and lectured extensively across North America and Europe. He is currently music historian-in-residence with San Francisco Performances, where he has lectured and performed since 1994. He has served on the faculties of the University of California at Berkeley, California State University East Bay, and the San Francisco Conservatory of Music, where he chaired the Department of Music History and Literature from 1989–2001 and served as the Director of the Adult Extension Division from 1991–1996. Greenberg has lectured for some of the most prestigious musical and arts organizations in the United States, including the San Francisco Symphony (where for ten years he was host and lecturer for the Symphony’s nationally acclaimed “Discovery Series”), the Chautauqua Institute (where he was the Everett Scholar-in-Residence during the 2006 season), the Ravinia Festival, Lincoln Center for the Performing Arts, the Van Cliburn Foundation, the Nasher Sculpture Center, the Dallas Symphony Orchestra, the Hartford Symphony Orchestra, Villa Montalvo, Music @ Menlo, and the University of British Columbia (where he was the Dal Grauer Lecturer in September of 2006). In addition, Greenberg is a sought after lecturer for businesses and business schools. For many years a member of the faculty at the University of Pennsylvania/Wharton School’s Advanced Management Program, he has spoken for such diverse organizations as S.C. Johnson, Canadian Pacific, Deutsches Bank, the University of California/Haas School of Business Executive Seminar, the University of Chicago Graduate School of Business, Harvard Business School Publishing, Kaiser-Permanente, the Strategos Institute, Quintiles Transnational, the Young Presidents’ Organization, the World Presidents’ Organization, and the Commonwealth Club of San Francisco. Greenberg has been profiled in the Wall Street Journal, INC. Magazine, the Times of London, the Los Angeles Times, the Christian Science Monitor, the San Francisco Chronicle, the San Jose Mercury News, the University of California Alumni Magazine, Princeton Alumni Weekly, and Diablo Magazine. For fifteen years Greenberg was the resident composer and music historian to National Public Radio’s Weekend All Things Considered and Weekend Edition, Sunday with Liane Hansen.
In February 2003, The Bangor Daily News (Maine) referred to Greenberg as the “Elvis of music history and appreciation”, an appraisal that has given more pleasure than any other.
In May 1993, Greenberg recorded a forty-eight lecture course entitled “How to Listen to and Understand Great Music” for the Teaching Company/Great Courses Program of Chantilly, Virginia. (This course was named in the January, 1996 edition of Inc. Magazine as one of “The Nine Leadership Classics You’ve Never Read”.) The Great Courses is the preeminent producer of college level courses-on-media in the United States. Twenty-Five further courses, including “Concert Masterworks”, “Bach and the High Baroque”, “The Symphonies of Beethoven”, “How to Listen to and Understand Opera”, “Great Masters”, “The Operas of Mozart”, “The Life and Operas of Verdi”, “The Symphony”, “The Chamber Music of Mozart”, “The Piano Sonatas of Beethoven”, “The Concerto”, “The Fundamentals of Music”, “The String Quartets of Beethoven”, “The Music of Richard Wagner”, and “The Thirty Greatest Orchestral Works” have been recorded since, totaling over 550 lectures. The courses are available on both CD and DVD formats and in book form.
Dr. Greenberg’s book, How to Listen to Great Music, was published by Plume, a division of Penguin Books, in April, 2011.
Greenberg lives with his children Lillian and Daniel, wife Nanci, and a very cool Maine coon (cat) named Teddy in the hills of Oakland, California.
Robert Greenberg is an official Steinway Artist.