Saturday, January 29, 2022 | 7:30pm
Herbst TheatreVenue InformationSan Francisco
About This Performance
One of music’s most popular and prodigious artists, it’s difficult to say anything about Steven Isserlis that has not already been said in glowing terms. He brings a deep curiosity about music and the world to his playing. A remarkable stand-alone artist, Connie Shih is an in-demand chamber music partner. “Shih proved a terrific, imaginative partner, with enough lightness, speed and power” (Washington Times).
KABALEVSKY: Cello Sonata in B-flat Major, Op. 71
SHOSTAKOVICH: Cello Sonata in D minor, Op. 40
RACHMANINOFF: Cello Sonata in G minor, Op. 19
Richard L. Caplin, M.D., Individual Sponsor
Acclaimed worldwide for his profound musicianship and technical mastery, British cellist Steven Isserlis enjoys a unique and distinguished career as a soloist, chamber musician, educator, author and broadcaster.
As a concerto soloist he appears regularly with the world’s leading orchestras and conductors, including the Berlin Philharmonic, National Symphony Orchestra Washington, London Philharmonic and Zurich Tonhalle orchestras. He gives recitals every season in major musical centres, and plays with many of the world’s foremost chamber orchestras, including the Australian, Mahler, Norwegian, Scottish, Zurich and St. Paul Chamber Orchestras, as well as period-instrument ensembles such as the Orchestra of the Age of Enlightenment and Philharmonia Baroque Orchestra. Unusually, he also directs chamber orchestras from the cello in classical programs.
Recent and upcoming highlights include performances with the Gewandhausorchester Leipzig, Vienna Philharmonic Orchestra at the Salzburg Mozartwoche; the U.S. premiere of Thomas Adès’s Lieux retrouvés with the Los Angeles Philharmonic, following world and U.K. premieres in Lucerne and at the BBC Proms, and a further performance of the work in Amsterdam with the Britten Sinfonia, conducted by the composer; Prokofiev’s Concerto Op. 58 with the London Philharmonic Orchestra under Vladimir Jurowski, in London and at the Dresden Music Festival; and Haydn’s C major Concerto with the Orchestra of the Age of Enlightenment under Adam Fischer.
As a chamber musician, he has curated series for many of the world’s most famous festivals and venues, including the Wigmore Hall, the 92nd Street Y in New York, and the Salzburg Festival. These specially devised programs have included In the Shadow of War, a major four-part series for the Wigmore Hall to mark the centenary of the First World War and the 75th anniversary of the Second World War; explorations of Czech music; the teacher-pupil line of Saint-Saëns, Fauré and Ravel; the affinity of the cello and the human voice; varied aspects of Robert Schumann’s life and music; and the music of Sergei Taneyev (teacher of Steven’s grandfather, Julius Isserlis) and his students. For these concerts Steven is joined by a regular group of friends which includes the violinists Joshua Bell, Isabelle Faust, Pamela Frank, and Janine Jansen, violist Tabea Zimmermann, and pianists Jeremy Denk, Stephen Hough, Alexander Melnikov, Olli Mustonen, Connie Shih, and Dénes Várjon.
He also takes a strong interest in authentic performance. This season’s projects include a recording of the Chopin Cello Sonata and other works with Dénes Várjon for Hyperion, using one of Chopin’s own pianos; and a recital of Russian sonatas with Olli Mustonen. In recital, he gives frequent concerts with harpsichord and fortepiano. Recent seasons have featured a special performance with Sir Andras Schiff at the Beethovenhaus in Bonn, using Beethoven’s own cello; and performances and recordings (selected for the Deutsche SchallplattenPreis) of Beethoven’s complete music for cello and piano with Robert Levin, using original or replica fortepianos from the early nineteenth century. With harpsichordist Richard Egarr, he has performed and recorded the viola da gamba sonatas of J.S. Bach as well as sonatas by Handel and Scarlatti. This season, they tour together in the U.S.
He is also a keen exponent of contemporary music and has premiered many new works including John Tavener’s The Protecting Veil (as well as several other pieces by Tavener), Thomas Adès’s Lieux retrouvés, Stephen Hough’s Sonata for Cello and Piano, Left Hand (Les Adieux), Wolfgang Rihm’s Concerto in One Movement, David Matthews’ Concerto in Azzurro, and For Steven and Hilary’s Jig by György Kurtág. In 2016, he gave the U.K. premiere of Olli Mustonen’s of Frei, aber einsam for solo cello at the Wigmore Hall.
Writing and playing for children is another major enthusiasm. He has written the text for three musical stories for children—Little Red Violin, Goldiepegs and the Three Cellos, and Cindercella—with music by Oscar-winning composer Anne Dudley; these are published by Universal Edition in Vienna. He has also given many concerts for children, for several years presenting a regular series at the 92nd Street Y in New York. Steven Isserlis’ books for children about the lives of the great composers—Why Beethoven Threw the Stew and its sequel, Why Handel Waggled his Wig—are published by Faber and Faber, and have been translated into multiple languages. His latest book, a commentary on Schumann’s famous Advice for Young Musicians, was published by Faber and Faber in September 2016, and will be published in the U.S. by Chicago University Press this season.
As an educator Steven Isserlis gives frequent master classes all around the world, and since 1997 he has been Artistic Director of the International Musicians’ Seminar at Prussia Cove in Cornwall, where his fellow-professors include Sir Andras Schiff, Thomas Adès and Ferenc Rados.
As a writer and broadcaster, he contributes regularly to publications including Gramophone, The Daily Telegraph and The Guardian, has guest edited The Strad magazine, and makes regular appearances on BBC Radio including on the Today program, Soul Music, as guest presenter of two editions of Saturday Classics, and as writer and presenter of a documentary about the life of Robert Schumann. Most recently, he presented a documentary on BBC Radio 4 Finding Harpo’s Voice, about his hero Harpo Marx.
His diverse interests are reflected in an extensive and award-winning discography. His recording of the complete Solo Cello Suites by J.S. Bach for Hyperion met with the highest critical acclaim, and was Gramophone’s Instrumental Album of the Year and Critics’ Choice at the Classic BRITS. Other recent releases include the Elgar and Walton concertos, alongside works by Gustav and Imogen Holst, with the Philharmonia Orchestra and Paavo Järvi; Prokofiev and Shostakovich concertos with the Frankfurt Radio Symphony, also under Paavo Järvi; Dvořák’s Cello Concertos with the Mahler Chamber Orchestra and Daniel Harding; and recital discs with Stephen Hough, Thomas Adès and (for BIS) a Grammy-nominated album of sonatas by Martinů, as well as works by Mustonen and Sibelius, with Olli Mustonen. His latest recordings include the Brahms Double Concerto with Joshua Bell and the Academy of St. Martin in the Fields, and—as director and soloist—concertos by Haydn and CPE Bach, with the Deutsche Kammerphilharmonie Bremen. Forthcoming recordings include a special First World War-inspired disc with Connie Shih, including works performed on a travel cello—now known as “the Trench Cello”—played in the trenches by WWI soldier Harold Triggs.
The recipient of many awards, Steven Isserlis’s honours include a CBE in recognition of his services to music, the Schumann Prize of the City of Zwickau, and the Piatigorsky Prize in the USA. He is also one of only two living cellists featured in Gramophone’s Hall of Fame. In 2017, he was awarded the Glashütte Original Music Festival Award in Dresden, the Wigmore Hall Gold Medal, and the Walter Willson Cobbett Medal for Services to Chamber Music.
He gives most of his concerts on the Marquis de Corberon (Nelsova) Stradivarius of 1726, kindly loaned to him by the Royal Academy of Music.
Pianist Connie Shih was born in Canada. In 1993 she was awarded the Sylva Gelber Award for most outstanding classical artist under age 30. As a soloist, she has appeared extensively with orchestras throughout Canada, the United States, and Europe. As a solo recitalist, she has made countless appearances in Canada, the U.S., Europe, and Asia. Shih has given chamber music performances with many world-renowned musicians. She appears regularly to great critical acclaim in recital with Steven Isserlis.
In addition to chamber-music appearances at Wigmore and Carnegie halls, she performs at the prestigious Bath Music Festival, Aldeburgh, Cheltenham, Weill Hall, and at the Kronberg Festival. She has collaborated with Susan Gritton, Tabea Zimmerman, and Isabelle Faust. Recent performances include appearances in Germany (including the Heidelberg Spring Festival and Brahmstage), the Cheltenham Festival, and a tour of Japan and the U.K., as well as a Naxos recording. She is also on faculty at the Casalmaggiore Festival in Italy.
Shih’s 2010–11 season included a tour of Japan with Steven Isserlis, a Wigmore Hall recital with Isserlis and Joshua Bell, and concerts in Canada and across Europe. Connie’s performances are frequently broadcast via television and radio on major stations in Canada, the U.K., and Germany, as well as on other various television and radio stations in North America and Europe.