Leon Fleisher 90th Birthday Celebration
Tuesday, February 12, 2019 | 7:30pm
Herbst TheatreVenue Information
No subscription discounts available for this performance.
BACH (arr. Petri): Sheep May Safely Graze
BEETHOVEN: Piano Sonata No. 30 in E Major, Op. 109
KIRCHNER: L.H., for Leon Fleisher; Interlude II
BACH (arr for left hand by Brahms): Chaconne from the Violin Partita No.2 in D minor, BWV 1004
MOZART: Piano Concerto No. 12 in A Major, K. 414
This presentation is made possible in part by the generous support of Frank S. Bayley.
About This Performance
Join the San Francisco musical community and SF Performances favorite Jonathan Biss along with the Telegraph Quartet to celebrate native son Leon Fleisher’s 90th birthday with this special concert. Born in San Francisco, Fleisher has enjoyed an epic career, which began with his professional debut at age 16 with the New York Philharmonic when conductor Pierre Monteux called him “the pianistic find of the century.” True to Monteux’s prophetic words, the pianist is regarded as one of the great performers of the 20th century.
Pianist Leon Fleisher thrives in a sustained career as conductor and soloist, recitalist, chamber music artist, and master class mentor. He made his debut with the New York Philharmonic in 1944 and in 1952 became the first American to win the prestigious Queen Elisabeth of Belgium competition, establishing himself as one of the world’s premier classical pianists. At the height of his success, he was suddenly struck at age 36 with a neurological affliction later identified as focal dystonia, rendering two fingers on his right hand immobile. Rather than end his career, Mr. Fleisher began focusing on repertoire for the left hand only, conducting, and teaching. In the mid-90’s he able to return to playing with both hands after experimental treatments using a regimen of Rolfing and ‘botulinum toxin’ injections. A recipient of numerous honors and awards, he received the honor of Commander in the Order of Arts and Letters by the Minister of Culture of the French government as well as the Kennedy Center Honors in 2007 and is the subject of the 2006 Oscar and Emmy-nominated documentary film Two Hands. In 2013, Sony Classical issued a 23-CD box set of his entire recorded output, and in 2014, Mr. Fleisher released his first solo CD in a decade, the Grammy nominated All The Things You Are. At age 88, in addition to his teaching at Peabody, Mr. Fleisher continues with an international schedule of master classes, performances and orchestral guest conducting.
Jonathan Biss was born in 1980; his professional debut preceded this event by several months, when he performed, prenatally, the Mozart A Major Violin Concerto at Carnegie Hall, with the Cleveland Orchestra under the direction of Lorin Maazel. Subsequent violin performances have shown greater independence, though they have also been more likely to send listeners running in the opposite direction, wildly searching for Ear, Nose and Throat specialists, and handguns.
Although the highlight of his career as a violinist took place when he was a fetus, Mr. Biss’ childhood was nonetheless saturated with music. With both of his parents playing the violin, and his older brother Daniel taking up the piano, he remembers music emanating from nearly every room in the house, including bathrooms, which, while modest in their decor, were valued for their acoustical properties.
Given this background, Mr. Biss’s commencement of piano studies at the age of six might seem like a defensive move, but it was in fact entirely offensive: while this adjective may in fact describe the sounds he produced when he began studying, it is simply meant to convey that the motivation to play the piano was entirely his own—his parents had no extra bathrooms to practice in, after all, and were not keen to build an outhouse. Mr. Biss’ enthusiasm manifested itself from the very beginning of his studies, far exceeding his six year-old physical and intellectual capacities.
This enthusiasm (or, if you take the word of Mr. Biss’s friends and associates, “obsessiveness” and “neurosis”) remains today, as does the feeling that doing justice to great music is an ever unattainable goal4. While this doesn’t necessarily make life easy, it is Mr. Biss’s deeply held sentiment that any other approach would be unthinkable. Or, in his own words, “if I ever stop finding music challenging and life-altering, I’ll quit and become an accountant.”
Growing up in Bloomington, Indiana, Mr. Biss was blessed with excellent teachers, starting with Karen Taylor—who as his first instructor, helped him give what is still regarded as the definitive performance of the Middle C Piece—and continuing with Evelyne Brancart, who for six years was an invaluable source of information while Mr. Biss weathered what might best be termed an awkward adolescence. At the age of 17, Mr. Biss went to the Curtis Institute of Music, where he studied with Leon Fleisher, which proved a phenomenal learning experience whenever Mr. Biss stopped looking under the piano to see if magic or pharmaceuticals were involved in the production of Mr. Fleisher’s surreally beautiful sound.
Around the same time, Mr. Biss began concertizing, which has led to his present activities. Highlights have included post-natal reengagements with Ms. Fried (with Mr. Biss a less reticent partner this time around), Maestro Maazel, and in November 2007, the Cleveland Orchestra.
While Mr. Biss’s life in music provides him with tremendous satisfaction, playing music remains ever a struggle. He regards it as a pleasure and privilege to live this struggle, and to share its results with other people.
The Telegraph Quartet was formed in 2013 with an equal passion for the standard chamber music repertoire as well as contemporary and non-standard repertoire, alike. Described by the San Francisco Chronicle in 2017 as “…an incredibly valuable addition to the cultural landscape” and “powerfully adept…with a combination of brilliance and subtlety,” the Telegraph Quartet was most recently awarded the prestigious 2016 Walter W. Naumburg Chamber Music Award. Past prizes include the Grand Prize at the 2014 Fischoff Chamber Music Competition. The Quartet has since gone on to perform in concert halls, music festivals, and academic institutions from Los Angeles and New York to Italy and Taiwan, including Carnegie Hall, San Francisco’s Herbst Recital Hall and the San Francisco Conservatory of Music Chamber Masters Series and at festivals including the Chautauqua Institute, Kneisel Hall Chamber Music Festival, and the Emilia Romagna Festival. In 2016, the Quartet was invited as one of a handful of emerging professional string quartets from around the world to perform in Paris, France at the Biennale de quatuors à cordes, a showcase for major concert presenters of Europe and Asia taking place at the Philharmonie de Paris.
The Telegraph Quartet gave its first Carnegie Hall appearance in Weill Recital Hall in 2015 along with violinist Ian Swensen and pianist Jeff LaDeur and the Quartet will return to Carnegie Hall in 2018 for its Naumburg Award Recital featuring the world premiere of Robert Sirota’s third string quartet. Notable collaborations have included projects with cellist Norman Fischer, pianist Simone Dinnerstein and the Henschel Quartett. A fervent champion of contemporary and 20th century repertoire, the Telegraph Quartet has co-commissioned John Harbison’s String Quartet No. 6, which is scheduled for its West Coast premiere in the fall of 2017 at San Francisco State University’s Morrison Artist Series. In 2017 the Quartet plans to release its debut album featuring works by Anton Webern, Benjamin Britten, and Leon Kirchner.
Beyond the concert stage, the Telegraph Quartet seeks to spread its music through education and audience engagement. During the 2017–18 Season, the Quartet will be travelling to communities and schools in Maine with Yellow Barn’s Music Haul, a mobile performance stage that brings music literally outside of the concert hall to communities across the U.S. The Quartet has given master classes at the San Francisco Conservatory of Music Collegiate and Pre-College Divisions, through the Morrison Artist Series at San Francisco State University and abroad at the Taipei National University of the Arts and National Taiwan Normal University. Members of the Quartet hold teaching positions in chamber music and private instruction at the San Francisco Conservatory of Music’s College and Pre-College programs. The Quartet has also worked in collaboration with the American luthier Douglas Cox, who created a set of instruments specifically to be performed together as a balanced quartet, featuring a performance and open-forum presentation of these instruments at the San Francisco Conservatory of Music.
While the Telegraph Quartet is indebted to numerous mentors and teachers, our primary musical guidance and support has come from Mark Sokol, Bonnie Hampton, and Ian Swensen, of the San Francisco Conservatory of Music. The Telegraph Quartet is based in the San Francisco Bay Area.
Bassist Charles Chandler has been a member of the San Francisco Symphony since 1992. Prior to his current position, he was Associate Principal Bass and Soloist with the Phoenix Symphony. He also served as Principal Bass of the Carmel Bach Festival Orchestra and the New York 20th Century Chamber Players. His primary teachers were Shinji Eshima of the San Francisco Opera Orchestra and David Walter at the Juilliard School. His numerous honors and awards include the San Francisco Symphony Pepsi Cola Young Musician Award, the Pittenger Scholarship, the Irving Klein Scholarship, and first prize in the A.S.T.A. National String Competition. Upon receiving his Bachelor of Music degree from Juilliard in 1987, Charles Chandler was selected to perform as a member of the Schleswig-Holstein Musik Festival under the direction of Leonard Bernstein. Playing with Marin Symphony, he has enjoyed performing with his wife Van, a violinist. He also has performed at the Music@Menlo Festival and Chamber Music Sundaes series and frequently records at Skywalker Ranch. Mr. Chandler resides in San Francisco with his wife and their daughter Julie. When not playing on his 1750 double bass made by the Venetian luthier, Domenico Busan, he enjoys organic gardening, bicycling, hiking and spending time with his family.