Saturday, May 11, 2019 | 2pm
YBCA TheaterVenue Information
$15 Children/$25 Adults
Program to be announced
Co-presented with YBCA
About This Performance
San Francisco Performances’ popular Family Matinees bring some of the world’s top creators and performers into engaging, entertaining and informative exchanges with younger audiences. Usually about an hour in length, Family Matinees typically feature complete performances with an interactive component—sometimes a Q&A with the artists, sometimes with audience participation—designed to give a deeper glimpse behind and inside what’s on stage. Artists are particularly experienced in communicating with young people, inspiring them to learn more about music and dance.
Dorrance Dance redefines tap dancing for the 21st century, using high-tech stagecraft, new music and a cast of talented tap artists.
Dorrance Dance is an award-winning tap dance company based out of New York City. The company’s work aims to honor tap dance’s uniquely beautiful history in a new, dynamic, and compelling context; not by stripping the form of its tradition, but by pushing it—rhythmically, technically, and conceptually. The company’s inaugural performance garnered a Bessie Award for “blasting open our notions of tap” and the company continues its passionate commitment to expanding the audience of tap dance, America’s original art form.
Founded in 2011 by artistic director and 2015 MacArthur Fellow, Michelle Dorrance, the company has received countless accolades, rave reviews and performed for packed houses at venues including The Joyce Theater (New York, NY), The Kennedy Center (Washington, DC), New York City Center (New York, NY), Lincoln Center Out of Doors (New York, NY), Jacob’s Pillow Dance Festival (Becket, MA), Vail International Dance Festival (Vail, CO), National Arts Centre of Canada (Ontario, Canada), Fira Tarrega (Tarrega, Spain), Staatstheater Darmstadt (Darmstadt, Germany), Danse Danse Montreal (Montreal, Canada), Hong Kong Arts Festival (Hong Kong), among others and including many colleges and universities across the United States.
The company is currently touring its repertory nationally and internationally while rehearsing and creating new works in its NYC home and through additional creative residency opportunities. As Dorrance Dance continues to expand its programs to help shape and educate the next generation of tap dancers, the company will partner with Nicholas Van Young's Institute for the Rhythmic Arts, 92Y Harkness Dance Center and Dance Education Laboratory (DEL), and Get Empowered! among other educational initiatives for the 2017–18 season.
Hailing from Chapel Hill, North Carolina, Michelle Dorrance has been tap dancing since the age of four and performing since the age of eight under her mentor, youth tap trailblazer, Gene Medler. Michelle was formally trained at The Ballet School of Chapel Hill, founded by her mother, former professional ballet dancer M’Liss Gary Dorrance. Michelle joined Medler’s groundbreaking North Carolina Youth Tap Ensemble (NCYTE) in the late 1980s and performed and toured extensively with NCYTE for the next decade across the states and at the first major international tap dance festivals held in St. Louis, Chicago, Vienna and Rio de Janeiro. It was during this time that the ensemble came to be known as the premiere youth tap company in the world. Before graduating from high school, Michelle became the youngest cultural ambassador to Saratov, Russia, representing Chapel Hill, North Carolina.
Growing up, Michelle developed a great love for unique, independent music. She was invited to dance with swing-revival icons the Squirrel Nut Zippers while still a teenager. She maintains this passion for independent music today and plays bass for childhood friend and indie-pop sensation, Darwin Deez, with whom she collaborates as deez and deez.
Since moving to New York City in 1997, Michelle has performed with the most notable tap companies in the world and spent four years performing in the New York cast (as well as the North American Tour) of Off-Broadway sensation, STOMP. Her varied company experiences include performing with Heather Cornell’s Manhattan Tap, Barbara Duffy & Co., Max Pollak’s Rumba Tap, Tony Waag’s Tap City on Tour, Cintia Chameki's Ritmico, Rhythm Kaneko’s Groovin’ High, CPD, Lynn Dally’s JazzTap Ensemble and Savion Glover's company Ti Dii. Highlight performances include the Opening Ceremonies for the 2001 Cannes Film Festival, the 2002 Winter Olympics, the Nijinsky Awards, the Jerry Lewis Telethon, Savion Glover at The Beacon Theatre, The Apollo Theater's 70th Anniversary Concert and the debut of Improvography at the Joyce Theater. In addition to this work, Michelle has performed in Ayodele Casel's Diary of a Tap Dancer, Dr. Harold Cromer's original cast of Opus One at The Tap Extravaganza and with legendary Mable Lee's Dancing Ladies at the Apollo Theater. Michelle was critically acclaimed in the World Premiere of Derick Grant’s Imagine Tap as well as in Emmy Award-winning choreographer Jason Samuels Smith’s Chasing the Bird/Charlie’s Angels: A Tribute to Charlie Parker. Michelle also holds a BA from New York University's prestigious Gallatin School.
Michelle has established herself as an accomplished solo artist, performing and teaching master classes throughout the world. From jazz clubs in Tokyo to concert halls in Brazil, Michelle has been described as “dynamite”, “brilliant”, “a marvel” and “a delight” (The Chicago Tribune, Dance Magazine, Boston Globe, The New York Times). She continues to be featured on stages and in shows across the globe, as well as at countless festivals such as The New York City Tap Festival, the LA Tap Festival, the North Carolina Rhythm Tap Festival, the DC Tap Festival, Tap Kids, the Chicago Human Rhythm Project, Brazil International Tap Festival, Beantown Tap Festival, Stockholm Tap Festival, Barcelona Tap Festival, Prague City Tap Festival, Berlin’s Blue Tap Festival, the Düsseldorf Stepptanz Festival, the New Jersey Tap Festival and in workshops from Montana to Moscow. Be it her “sunny charisma”, her “wonderful comic timing and compellingly syncopated physicality” or her “killer chops”, Michelle’s dancing has won exceptional press (The New York Times, The New Yorker). She has notably been the subject of featured articles and the cover/cover story for both Dance Magazine and Dance Teacher Magazine.
Michelle has been on faculty at Broadway Dance Center since 2002 and has taught as guest faculty at Steps on Broadway, Peridance Center, Duke University, New York University, East Carolina University, The Ohio State University, Barnard College, Elon College as well as numerous privately owned studios and national conventions. She owes her passion for teaching to the great and constant teachers in her life, her mother, M’Liss Gary Dorrance, her father, Anson Dorrance, and mentors Gene Medler, Josh Hilberman, Dianne Walker and Savion Glover.
In early 2011 Michelle founded Dorrance Dance/New York with the mission to help audiences view tap dance, a beautiful, old jazz form, in a new and dynamically compelling context. Their sold-out, inaugural production at Danspace Project NYC earned Michelle a New York Dance and Performance Award (a Bessie) for “blasting open our notions of tap” in her works, Remembering Jimmy and Three to One. Since this debut, Dorrance Dance has performed at The Yard, The Ruth St. Denis Studio at Jacob’s Pillow and festivals in Washington DC, Barcelona, Chicago, Boston and Austin, TX to rave reviews.
Outside of her work as artistic director and choreographer for Dorrance Dance, Michelle’s choreography is also performed throughout the country and internationally. Her work has been presented at countless festivals as well as at Radio City Music Hall, the Joyce Theatre, the Duke on 42nd St., Joe’s Pub, Symphony Space, Birdland with members of the Duke Ellington Orchestra, on tour with Thank You Gregory! and in commercials for MTV and Toyota Taiwan.
Most recently, Michelle was honored with a 2012 Princess Grace Award, the first tap dancer to receive a fellowship in Choreography in the organization’s thirty year history. With this fellowship, she will set work on Chicago Human Rhythm Project’s BAM In 2013.
Michelle has performed as a featured soloist in Toshi Reagon and Allison Miller’s Celebrate The Great Women of Jazz and Blues at both the Shomburg Theatre in Harlem as well as the Highline Ballroom as a part of The Blue Note Jazz Festival. She was featured alongside acclaimed flamenco dancer Eduardo Guerrero, directed by Luke Creswell and Steve McNicholas in the opening number of the UK’s Royal Variety Performance, and performed with cast members from STOMP on Late Night with Jimmy Fallon accompanying Paul Simon and Fallon in a new rendition of the classic Cecilia. In a completely new direction, Michelle collaborated with Award-winning shoe designer Tabitha Simmons and fashion photographer/director Craig McDean on a short high-fashion film to promote Tabitha’s 2011 Fall line, by choreographing for and performing in the elegant and edgy heels.
Michelle wishes to credit the masters of this great American art form with whom she has had the opportunity to study, perform or simply be influenced by: Gene Medler, Dianne Walker, Josh Hilberman, Savion Glover, Barbara Duffy, Van Porter, Sam Weber, Ted Levy, Mark Mendonca, Brenda Bufalino, Gregory Hines, Chester Whitmore, Ivery Wheeler, Nicholas Young, Dormeshia Sumbry-Edwards, Derick Grant, Jason Samuels-Smith, Ayodele Casel, Dr. Harold Cromer, Miss Mable Lee, Maceo Anderson, Arthur Duncan, Dr. Peg Leg Bates, Dr. Fayard Nicholas, Dr. Leonard Reed, Dr. Henry LeTang, Dr. Buster Brown, Dr. Cholly Atkins and Dr. Jimmy Slyde. Michelle is grateful for their indefatigable dedication, inspiration and love.