Joel Link, violin
Bryan Lee, violin
Milena Pajaro-Van de Stadt, viola
Camden Shaw, cello
Sunday, October 30, 2016 | 7pm
Herbst TheatreVenue Information
MOZART: Divertimento for strings, K. 136
ROSSINI: Duo for bass and cello
DVOŘÁK: Quartet in F Major, Op. 96, “American”
EDGAR MEYER: Quintet for strings
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About This Performance
The Washington Post asserted that, “lovers of chamber music should put the Dover Quartet on their to-hear list.” Founded less than a decade ago, the Dover Quartet leaped into the world chamber music spotlight when it won all four prizes at the 2013 Banff International Competition. Composer-performer Edgar Meyer—“the most remarkable virtuoso” (The New Yorker)—is a shape-shifting genius of an artist equally at home in classical, bluegrass, jazz and world music and a master at melding them together in compelling compositional style.
“The Dover Quartet players have it in them to become the next Guarneri String Quartet—they’re that good.”
The Dover Quartet catapulted to international stardom following a stunning sweep of the 2013 Banff International String Quartet Competition, becoming one of the most in-demand ensembles in the world. The New Yorker recently dubbed them “the young American string quartet of the moment,” and The Strad raved that the Quartet is “already pulling away from their peers with their exceptional interpretive maturity, tonal refinement and taut ensemble.” In 2013–14, the Quartet was the first ever Quartet-in-Residence for the venerated Curtis Institute of Music, and is now faculty Quartet-in-Residence at Northwestern University's Bienen School of Music.
In addition to winning the Grand Prize and all three Special Prizes at the 2013 Banff International String Quartet Competition, the Dover Quartet has continued to receive accolades: in 2015 it was announced that the group had been awarded the highly prestigious Cleveland Quartet Award, and shortly thereafter, Lincoln Center awarded the quartet the annual Hunt Family Award, as part of the organization's Emerging Artist Awards. In its early years, the quartet also won grand prize at the Fischoff Competition, and special prizes at the Wigmore Hall International String Quartet Competition.
During the 2015–16 season, the Dover Quartet performed more than 120 concerts throughout the United States, Canada, Europe, and the Middle East. Highlights included the group’s debut at Carnegie Hall, and several residencies including those at Dumbarton Oaks, Amelia Island Chamber Music Festival, and People’s Symphony Concerts in New York. 2016 also included the quartet’s first tour of Israel, and the recording of three albums, to be released beginning this fall. The group regularly appears with acclaimed collaborators, and this season these will include such artists as Anthony McGill, David Shifrin, Anne-Marie McDermott, Avi Avital, and Edgar Meyer. The collaborations with Avi and Edgar will include extensive tours together next season.
The Dover Quartet participates regularly in some of the continent’s most reputable summer festivals, including Chamber Music Northwest, Artosphere, Bravo Vail, and the Santa Fe Chamber Music Festival, and are active proponents of new music: this season included a premier of Pulitzer-Prize winning Caroline Shaw’s new quartet at Dumbarton Oaks, and next season will include the premieres of multiple commissions, including works from Richard Danielpour and Michael Djupstrom.
The Dover Quartet was formed in 2008 at the Curtis Institute of Music, and continued their studies as Graduate Quartet-in-Residence at Rice University's Shepherd School of Music from 2011–13. Because of the exceptional faculty at both of these institutions, the group draws from the musical lineage of the Cleveland, Vermeer, Concord, and Guarneri Quartets. The Quartet has been mentored extensively by Shmuel Ashkenasi, James Dunham, Norman Fischer, Kenneth Goldsmith, Joseph Silverstein, Arnold Steinhardt, Michael Tree, and Peter Wiley, and is dedicated to sharing their music with underserved communities and is an active member of Music for Food, an initiative to help musicians fight hunger in their home communities.
In demand as both a performer and a composer, Edgar Meyer has formed a role in the music world unlike any other. Hailed by The New Yorker as “…the most remarkable virtuoso in the relatively un-chronicled history of his instrument”, Mr. Meyer’s unparalleled technique and musicianship in combination with his gift for composition have brought him to the fore, where he is appreciated by a vast, varied audience. His uniqueness in the field was recognized by a MacArthur Award in 2002.
As a solo classical bassist, Mr. Meyer can be heard on a concerto album with the St. Paul Chamber Orchestra conducted by Hugh Wolff featuring Bottesini’s Gran Duo with Joshua Bell, Meyer’s own Double Concerto for Bass and Cello with Yo-Yo Ma, Bottesini’s Bass Concerto No. 2, and Meyer’s own Concerto in D for Bass. He has also recorded an album featuring three of Bach’s Unaccompanied Suites for Cello. In 2006, he released a self-titled solo recording on which he wrote and recorded all of the music, incorporating piano, guitar, mandolin, dobro, banjo, gamba, and double bass. In 2007, recognizing his wide-ranging recording achievements, Sony/BMG released a compilation of The Best of Edgar Meyer. In 2011 Mr. Meyer joined cellist Yo-Yo Ma, mandolinist Chris Thile, and fiddler Stuart Duncan for the Sony Masterworks recording The Goat Rodeo Sessions which was awarded the 2012 Grammy® Award for Best Folk Album.
As a composer, Mr. Meyer has carved out a remarkable and unique niche in the musical world. One of his most recent compositions is the Double Concerto for Double Bass and Violin which received its world premiere July 2012 with Joshua Bell at the Tanglewood Music Festival with the Boston Symphony Orchestra. Mr. Meyer and Mr. Bell have also performed the work at the Hollywood Bowl with the Los Angeles Philharmonic, the Aspen Music Festival, and with the Nashville and Toronto symphony orchestras. In the 2011–12 season, Mr. Meyer was composer in residence with the Alabama Symphony where he premiered his third concerto for double bass and orchestra. Mr. Meyer has collaborated with Béla Fleck and Zakir Hussain to write a triple concerto for double bass, banjo, and tabla, which was commissioned for the opening of the Schermerhorn Symphony Center in Nashville. The triple concerto was recorded with the Detroit Symphony Orchestra under Leonard Slatkin and featured on the 2009 recording The Melody of Rhythm, a collection of trio pieces all co-composed by Mr. Meyer, Mr. Fleck and Mr. Hussain. Mr. Meyer has performed his second double bass concerto with the Los Angeles Chamber Orchestra and his first double bass concerto with Edo de Waart and the Minnesota Orchestra.
Other compositions of Mr. Meyer’s include a violin/piano work which has been performed by Joshua Bell at New York’s Lincoln Center, a quintet for bass and string quartet premiered with the Emerson String Quartet and recorded on Deutsche Grammophon, a Double Concerto for Bass and Cello premiered with Yo-Yo Ma and The Boston Symphony Orchestra under Seiji Ozawa, and a violin concerto written for Hilary Hahn which was premiered and recorded by Ms. Hahn with the St. Paul Chamber Orchestra led by Hugh Wolff.
Collaborations are a central part of Mr. Meyer’s work. His longtime collaboration with fellow MacArthur Award recipient Chris Thile continues in 2014 with the release on Nonesuch Records a recording of all new original material by the two genre bending artists, a follow up to their very successful 2008 cd/dvd on Nonesuch. Mr. Meyer and Mr. Thile will embark on a nationwide tour in Fall 2014 appearing in many of the major cities in the US. Mr. Meyer’s previous performing and recording collaborations include a duo with Béla Fleck; a quartet with Joshua Bell, Sam Bush and Mike Marshall; a trio with Béla Fleck and Mike Marshall; and a trio with Yo-Yo Ma and Mark O’Connor. The latter collaborated for the 1996 Appalachia Waltz release which soared to the top of the charts and remained there for 16 weeks.
Appalachia Waltz toured extensively in the U.S., and the trio was featured both on the David Letterman Show and the televised 1997 Inaugural Gala. Joining together again in 2000, the trio toured Europe, Asia and the US extensively and recorded a follow up recording to Appalachia Waltz, Appalachian Journey, which was honored with a Grammy® Award. In the 2006–2007 season, Mr. Meyer premiered a piece for double bass and piano performed with Emanuel Ax. Mr. Meyer also performs with pianist Amy Dorfman, his longtime collaborator for solo recitals featuring both classical repertoire and his own compositions, Mike Marshall in duo concerts and the trio with Béla Fleck and Zakir Hussain which has toured the US, Europe and Asia together.
Mr. Meyer began studying bass at the age of five under the instruction of his father and continued further to study with Stuart Sankey. In 1994 he received the Avery Fisher Career Grant and in 2000 became the only bassist to receive the Avery Fisher Prize. Currently, he is Visiting Professor of Double Bass at the Curtis Institute of Music in Philadelphia.