Batsheva

Limited Availability

The James C. Hormel and Michael P. Nguyen Dance Series

Sadeh21

50th Anniversary Jubilee Year Tour

Thursday-Friday
November 6-7, 2014
7:30pm
Saturday, November 8, 2014
2pm
YBCA Theater
$70/$55/$40

“They are living sculpture that defines space and time.”

—The Globe and Mail (Toronto)

Sadeh21 by Ohad Naharin and Batsheva Dance Company

Program

Sadeh21 by Ohad Naharin in collaboration with Batsheva Company Dancers

About This Performance

Israel’s stunning contemporary dance company celebrates a half century of visionary work with a world tour. Under the artistic leadership of choreographer Ohad Naharin for nearly 25 years, Batsheva is one of the world’s great companies, known for cerebral and visceral works that feature profoundly expressive movement vocabulary and thrilling theatricality. Sadeh21 is Naharin’s clever set of movement studies to the music of Brian Eno and David Darling, deeply rooted in his own liberating style that enables the dancers to access an amazingly fluidity.

This engagement is funded in part by a grant from the Bernard Osher Jewish Philanthropies Foundation of the Jewish Community Federation and Endowment Fund.

This presentation also is made possible in part through the support of Lynn Feintech and Anthony Bernhardt, the Koret Foundation and the National Endowment for the Arts, Art Works.

The [Hotel Mark Twain](http://www.hotelmarktwain.com) is the hotel sponsor of these performances.

Artist Biographies

Ohad Naharin(Choreographer and Artistic Director) has been hailed as one of the world’s preeminent contemporary choreographers. As Artistic Director of Batsheva Dance Company since 1990, he has guided the company with an adventurous artistic vision and reinvigorated its repertory with his captivating choreography. Naharin is also the originator of an innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company’s training, and emerged as a growing force in the larger field of movement practices for both dancers and non-dancers.

Born in 1952 on Kibbutz Mizra, Ohad Naharin began his dance training with the Batsheva Dance Company in 1974. During his first year with the company, visiting choreographer Martha Graham singled out Naharin for his talent and invited him to join her own company in New York. While in New York, Naharin studied on a scholarship from America-Isreal Cultural Foundation at the School of American Ballet, furthered his training at The Juilliard School, and polished his technique with master teachers Maggie Black and David Howard. He went on to perform internationally with Israel’s Bat-Dor Dance Company and Maurice Béjart’s Ballet du XXe Siècle in Brussels.

Naharin returned to New York in 1980, making his choreographic debut at the Kazuko Hirabayshi studio. That year, he formed the Ohad Naharin Dance Company with his wife, Mari Kajiwara, who died of cancer in 2001. From 1980 until 1990, Naharin’s company performed in New York and abroad to great critical acclaim. As his choreographic voice developed, he received commissions from world-renowned companies including Batsheva, Kibbutz Contemporary Dance Company, and Nederlands Dans Theater.

Naharin was appointed Artistic Director of Batsheva Dance Company in 1990 and has served in this role except for the 2003–2004 season, when he held the title of House Choreographer. During his tenure with the company, Naharin has choreographed over 20 works for Batsheva and its junior division, Batsheva Ensemble. He has also restaged over 10 of his dances for the company and recombined excerpts from his repertory to create Deca Dance, a constantly evolving evening-length work.

Naharin trained in music throughout his youth, and he has often used his musical prowess to amplify his choreographic impact. He has collaborated with several notable musical artists to create scores for his dances, including Israeli rock group The Tractor’s Revenge (for Kyr, 1990), Avi Belleli and Dan Makov (for Anaphaza, 1993), and Ivri Lider (for Z/na, 1995). Naharin also worked with Ohad Fishof on soundtracks for Three (2005), Telophaza (2006) and Furo (2006) and with Maxim Waratt who composed music for MAX (2007) and edited and mixed the soundtracks for Mamootot (2003) and Hora (2009) and Sadeh21 (2011), The Hole (2013). Naharin also combined his talents for music and dance in Playback (2004), a solo evening which he directed and performed.

In addition to his work for the stage, Naharin has pioneered Gaga, an innovative movement language. Gaga, which emphasizes the exploration of sensation and availability for movement, is now the primary training method for Batsheva’s dancers. Gaga has also attracted a wide following among dancers around the world and appealed to the general public in Israel, where open classes are offered regularly in Tel Aviv and other locations.

Naharin’s compelling choreographic craft and inventive, supremely textured movement vocabulary have made him a favorite guest artist in dance companies around the world. His works have been performed by prominent companies including Nederlands Dans Theater, Ballet Frankfurt, Lyon Opera Ballet, Compañía Nacional de Danza (Spain), Cullberg Ballet (Sweden), the Finnish National Ballet, the Paris Opera Ballet, Balé da Cidade de São Paulo, Cedar Lake Contemporary Ballet (New York), Hubbard Street Dance Chicago, and Les Grand Ballets Canadiens de Montréal. Naharin’s rehearsal process with Cedar Lake Contemporary Ballet during a restaging of Deca Dance was the subject of Tomer Heymann’s documentary Out of Focus (2007).

Naharin’s rich contributions to the field of dance have garnered him many awards and honors. In Israel, he has received a Doctor of Philosophy honoris causa by the Weizmann Institute of Science (2004), the prestigious Israel Prize for dance (2005), a Jewish Culture Achievement Award by The Foundation for Jewish Culture (2008), a Doctor of Philosophy honoris causa by the Hebrew University (2008), and the EMET Prize in the category of Arts and Culture (2009). Naharin has also been the recipient of the Chevalier de l'Ordre des Arts et des Lettres from the French government (1998), two New York Dance and Performance (Bessie) Awards (for Naharin's Virus at the Brooklyn Academy of Music in 2002 and for Anaphaza at the Lincoln Center Festival in 2003), the Samuel H. Scripps American Dance Festival Award for Lifetime Achievement (2009), and a Dance Magazine Award (2009).

Batsheva Dance Company has been critically acclaimed and popularly embraced as one of the foremost contemporary dance companies in the world. Together with its junior Batsheva Ensemble, the Company boasts a roster of 34 dancers drawn from Israel and abroadץ Batsheva Dance Company is Israel’s biggest company, maintaining an extensive performance schedule locally and internationall with over 250 performances and over 75,000 spectators per year.

Hailed as one of the world’s preeminent contemporary choreographers, Ohad Naharin assumed the role of Artistic Director in 1990, and propelled the company into a new era with his adventurous curatorial vision and distinctive choreographic voice. Naharin is also the originator of the innovative movement language, Gaga, which has enriched his extraordinary movement invention, revolutionized the company’s training, and emerged as a growing international force in the larger field of movement practices for both dancers and non-dancers.

The Batsheva dancers take part in the creative processes in the studio and create themselves in the annual project “Batsheva Dancers Create” supported by The Michael Sela Fund for Cultivation of Young Artists at Batsheva.

Batsheva Dance Company was founded as a repertory company in 1964 by the Baroness Batsheva de Rothschild, who enlisted Martha Graham as its first artistic adviser. Since 1989, Batsheva Dance Company has been in residence at the Suzanne Dellal Centre in Tel Aviv.

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